The Destruction of the Kourosh Cinema in Firuzabad during the Revolution
Based on Three Narratives and Four Memories
Cinemas played a significant role in spreading the Pahlavi culture by showing various and diverse Iranian and foreign films, which were generally accompanied by dance, singing, and immoral scenes. The screening of many of them also conflicted with the religious culture ...What will happen for oral history in the future?
The growth of technology and public access to communication facilities in various fields and expansion of using artificial intelligence (AI) have faced the future of some jobs with ambiguity and hesitation. Will oral history also suffer this fate and join the ring of disciplines that gradually fade, and their importance decrease? In response to the question, we must see what is the axis of oral history around which this field was formed and ...A Reflection on the Relationship between Oral History and Art (Final Fart)
Balance in Effect
People of knowledge consider existence as a product of balance, proportion and harmony in all parts and aspects that everything is in its place and every event takes place in a logical and natural framework and all creatures are placed together in a balanced way and play a role. Therefore, balance is one of the essentials of creation, and ...A Reflection on the Relationship between Oral History and Art – 2
Its Form and Importance
Oral history is the product of human action and humans are different from each other. It has never been possible to repeat and realize all the works in all periods. The facilities and historical and cultural contexts are not the same. By the way, this is where human talent and art emerge; The talent and art that comes out of the creativity and ability of the oral history researcher.A Reflection on the Relationship between Oral History and Art- 1
Oral history is a collection of words and sentences with a specific purpose, which must have thematic, literary and content discipline in order to meet the needs of the audience. What does such a phenomenon have to do with art? If there is a relationship, is it only in formal aspects or in the content as well?A Spring Note
A Conversation for Today and Yesterday Inspired by Nature
Spring song is heard. The earth shows its colorful face. Nature is on the path of excellence and leaves winter behind. It is as if this eternal teacher reminds people that the past is not unrelated to today and tomorrow. In order to reach spring, one must experience winter and note that the ...Comprehensiveness and Amnesia in “Oral History”
According to the author, it can be claimed in some ways that Iran is the land of cultural "epidemics"! At any time, it is possible to witness that a wave of attention to a cultural field in the country starts at once, and several centers pay attention to a common work widely. The example of writing encyclopedias is a prominent example of this type of cultural epidemic that we witnessed its ...An overview of the challenges of news interviews and oral history interviews
A Reporter Who Absolutely Ignored Oral History Book
In the late 2010s, I accepted an oral history project at the suggestion of a friend; without knowing the depth of the prerequisites, dos, don'ts and challenges of the oral history interview. I did an hour-long interview a week, and when it was over, I felt that the amount of energy spent was more than news interviews and it didn't go as smoothly as I thought.A Critique on Oral history of War Commanders
“Answering Historical Questions and Ambiguities Instead of Individual-Organizational Identification”
“Oral history of Commanders” is reviewed with the assumption that in the field of war historiography, applying this method is narrated in an advancing “new” way, with the aim of war historiography, emphasizing role of commanders in creation of its situations and details.Three Achievements of Cultural History for War Researchers
Perhaps the claim that the most important influence of cultural history on war studies was the deconstruction of the concept of "history" and the concept of "war" is not an exaggerated one. Cultural history actually deconstructed the concept of war and the history of war. Cultural history tells us not to see the war exclusively in the contexts, manifestations of the people who were only on the battlefield, but also see the contexts adjacent to it.1
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- The Uprising in Amol
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- The Nurturing of Iranian Adolescents and Youth in Najaf
- The Destruction of the Kourosh Cinema in Firuzabad during the Revolution
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- 365th Night of Memory – 1
- A House Colored with Sacrifice
- Oral History News – Dey 1403 (December 2024 - January 2025)
Minister of Health Praises the Prestigious Sadr Family
The book War and State in the Memoirs of Seyyed Mohammad Sadr, authored by Mohammad Qobadi and published by Sooreh Mehr, was officially unveiled at the The Artistic Sect of the Islamic Republic. According to the Sooreh Mehr Publishing website, this event was attended by Mohammadreza Zafarghandi, Minister of Health, Treatment, and Medical Education;“Oral history of art” should move toward producing documentaries
According to Iranian Oral History website, the preliminary workshop of “Oral History of Art” was held online before the national conference “Iranian Theories of Historiography and Art” on Wednesday 21st of Azar 1403 (December 11, 2024) by the Art Research Institute of the Art Cultural Center. During the event, “Dr. Morteza Nouraee” the professor of the History Group of Isfahan University delivered a speech.Benefits of Oral History
History, as one of the fundamental disciplines within the humanities, has evolved through time to adopt various forms and methodologies. Concepts such as "written history," "comprehensive history," and "oral history" exemplify these approaches. Written history relies on documents and textual sources for the analysis and composition of historical accounts, while comprehensive history seeks to integrate various sources—both written and oral.The Hidden Camp
The Hidden Camp narrates the autobiographical memoirs of Mohammad Hassan Mirzaei, recounting his experiences from managing Iraqi POW camps to enduring captivity in Iranian POW camps. This work, rewritten and compiled by Meysam Gholampour, was published in the summer of 2024 by Mirath-e Ahl-e Qalam Publications in collaboration with the Damavand Martyrs Foundation.
